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Turning points on my path to publication – UPDATE.

dream proverbMy path to publication – update!

With novel #4 about to hit the shelves in May, I am so glad to still be tripping down that yellow brick road, hand in hand with the wizards of publishing Simon & Schuster (Australia) and singing travel songs.

This crazy writing journey has not always light of foot and joyous. My path to publication hit some serious detours, but I picked up a few good tips and friends along the way and because the question most asked of me is “How did you get published?” I thought a re-post ad update from my February 2012 post on the subject a good idea. So if you are interested in watching paint dry, you might also enjoy this post about….

My Path to Publication (as posted in Feb, 2012)

It is a tradition within my writing association that those announcing their first sale/book contract follow the announcement with their ‘call story’. It’s meant to be a re-telling of that moment when a publisher calls and gives you the news you’ve been working towards and dreaming about since you could pick up a pen (or access an i-Pad, as is the case today!)

But I fear my call story might be like watching paint dry, as it was a long process with lots of emails and waiting in between for things to be finalised. (Thank goodness for agents!)

So I thought, if a call story is meant to inspire (as well as inform) then maybe I’m better to write about the turning points in my writing, when a few significant things happened to nudge me closer to my goal.

Grab a coffee, settle in and … come home to the country.

Many moons ago, when my sister (in real estate at the time) listed the house of ‘a famous author’ and happened to mention to said author, “my little sister wants to write romance novels”, the ‘lovely lady and owner of said house’ (Valerie Parv was her name) gave my sister some magazines called Hearts Talk, and a message. “Tell your sister to join RWA.”

Turning Point #1 – I joined Romance Writers of Australia.

Recuperating after major surgery, I spent  seven weeks writing my first Danielle Steel meets Nora Roberts novel. Of course I was going to be THAT famous! Then over the next two years I entered RWA’s Valerie Parv Contest – twice – as well as many other contests.

Turning point #2 – I entered lots of contests – not to win (I was too green) but to get feedback. (Winning/placing was a bonus.)

Turning point #3 – Bootcamp 109, April 2009 – I think.  This RWA initiative with the  fabulous Rachel Bailey and Nikki Logan (et al) made me realise:

  1. I am not alone.
  2. This writing caper is bloody hard.
  3. There’s no reason why success can’t be mine.

I now had two manuscripts which I subbed and subbed (with various calls for more chapters). But all I got was the big R – rejection.

Turning point #4 – This IS a business. Analyse the market. See what’s selling. Plan, strategise, set goals.
Rural romances were really starting to take off a couple of years ago. Okay, I thought, can I do that? I’ve never  harvested a crop, sheared/shorn (see I can’t even tell how to say it) a sheep, rounded up brumbies, or branded a cow. But I could brand myself!

 

Turning point #5 – Work out what you CAN write about and create a theme/brand. We’ve heard it before. Write about what you know. Well, I know about small country towns and all the colourful, quirky characters. I am part of a small community (moving from the city to run a cafe business which I’d never done before. I could do anything – right!) I’d experienced the difference between country and city. (I was a city girl who’d craved to get back to her country roots for years.)

Hey, coming home to the country! Does that sound like the theme for me? (In 2016 I’m taking readers from the country to the coast.)

seachange5

Next, I took a ‘leaf’ out of Nikki Logan’s strategy and established a brand. (Nikki is a fantastic example of branding with her ‘nature’ theme and she has been such a positive influence.)

So two years ago (or so) I created my Come home to the country….small towns, big hearts theme.

Okay, now I needed to write something. Amazingly, once I had my brand, my ‘voice’ seemed to develop all by itself (with a little help from Lisa Heidke who really showed me what ‘a fresh voice’ was all about).  Bronwyn Parry and Helene Young had already taught me how to plot a page turner. (There have been many other influences over time, of course: Dianne Blacklock and Monica McInerney – whose books my readers will enjoy.)

Turning point #6 – Stop trying so hard, glue bum on seat and write.
The glue was NaNoWriMo – National Novel Writing Month. With my brand and my voice knocking to get out, I sat down in November 2009 and wrote my first draft of House For All Seasons.

Turning point #7 – Lightning (yes, Annie Seaton editor extraordinaire, I said ‘lightning‘) bolts flashed and I decided I am a writer of Australian contemporary fiction. (I still say it with trepidation!)  I don’t write romance novellas and the like (and I admire those who can fit high emotion in with so few words allowed).  I was trying too hard. It took me years to figure out what I wrote and what it was called. Sounds stupid, doesn’t it? Was I single title, ‘with romantic elements’, mainstream fiction, commercial fiction, women’s fiction… Aren’t they all the same, I would cry.

Aaaaarrrggghhh!!!!

But this was a turning point for me.

Turning point #8 – a milestone birthday. Nothing like growing a year older to give you a shove. I was giving myself one year, telling myself if I hadn’t sold, I would give up on publishing and just write for myself.

Phew! Just made it in time. Now here I am.

I won’t go on, but thanks for indulging me (if you got this far). If you fell asleep and your coffee is now cold – sorry! If I’ve inspired you to write, go check out all those people I mentioned, and if you want to follow my path, join RWA, go to a writers conference, study the market, write what you know, and never give up.

Your success could be just around the next birthday.

 

Come home to the country…

Small town stories. Discover them. Love them.

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Jenn’s Tips – Writing a Submission for your Story

Let’s get straight to the point.

If you are an aspiring writer you will want to secure a publisher or a literary agent and to do this you will need to compose a book submission (sometimes called a book proposal) and I’ve got one here to show you. There is only one rule (as far as I am concerned) and that is to be as concise and as clear as possible and hook the reader – whoever it is. (In other words “get straight to the point”!!)

Rather than telling you how I did it, I’m showing you the actual letter I wrote — the one that prompted Clare Forster to telephone me the next day and ask: “Are you sitting down?” (True story.)

So here it is, folks. Use the format to suit your own submission and good luck.

(Addressed business-like to your preferred agent/publisher)

________________________________

A HOUSE FOR ALL SEASONS (book title)

Going home might just be the magic they need (my original tagline)

 Jenn J McLeod (if a pen name use your real name with “w/a” , which means “writing as”.)

Word count – 85,000 (ah, note final word count of published book was 140,000! That is how much depth I added to the characters and plot during the re-write period.)

Women’s fiction (genre – include sub-genres eg suspense, sci-fi, rural, etc)

Dear Clare, (NB: I launch straight into the pitch. Don’t start telling them about you. Tell them about the story.)

Returning home to Calingarry Crossing twenty years after a tragic end-of-school accident, four estranged friends –Poppy, an ambitions journo craving her father’s approval; Sara, a breast cancer survivor afraid to fall in love; Amber, a spoilt socialite addicted to painkillers and cosmetic procedures; and Caitlin, a doctor frustrated by a controlling family and her flat-lining love life – discover a secret at the century-old Dandelion House that will bind them forever.

In the style of The Alphabet Sisters (Monica McInerney), What Kate Did Next (Lisa Heidke) and Roustabout (Rachael Treasure), A House For All Seasons is four stories in one – Tall Poppy, Surviving Summer, Amber Leaves and Wynter’s Way – about going home and about living, loving and embracing a second chance. (Comparisons are okay as long as they are genuine and you are not comparing yourself to a writer, but rather to the style of book/writing/audience.)

Jenn J McLeod

Romancing the possibilities – in life, love & second chances. (My brand at the time.)

“A Penny for Your Thoughts” , Little Gems Short Story Anthology 2010 (My writing resume. Huge, huh? But did it matter? No. Submit anyway.)

(Insert your address and email AND phone number  – and have a chair nearby for the next few days!!)

_______________________________________

 (I also included a synopsis that provided more detail.)    

A HOUSE FOR ALL SEASONS

Four school friends meet after twenty years to claim an unexpected inheritance in the century-old estate – The Dandelion House.

Estranged since a fatal end-of-school accident, in which a friend died, the women must return home to Calingarry Crossing, in country NSW, and each stay a designated season in the house. A potential quarter-share means all four must also agree on its fate; not as simple as it sounds given the mix of emotions that going home triggers. They didn’t agree much at school and they agree on only one thing now – why them?

TALL POPPY: Dedicated newswoman, Poppy Hamilton, has done more than nudge the glass ceiling; she’s obliterated it. But nothing seems to impress her estranged and reclusive Vietnam-vet father who nicknames his daughter Poppy-ganda. Poppy knew her father as the damaged man who drifted in and out of her life, especially after the house fire that killed her mother and baby brother – and for which she blamed herself. She deals with the hurt by pretending not to need anyone – not ardent, long-suffering media network boss, Max, and especially not her father. While spending spring in Calingarry Crossing Poppy has to make a decision; produce a report the network wants, or one that will stir pride in her father before it’s too late.

SURVIVING SUMMER: Breast cancer survivor, Sara Hamilton, has her own reasons for going back to Calingarry Crossing – unrequited love. Will Travelli, ex-NRL football pro and hunky school heart throb, has returned home a widower, a paraplegic, and a father of two toddlers. But confronting the subject of her teenage crush is soon complicated by a battle with Will’s mother; a woman not only fiercely protecting her son from further hurt, but her own place as the only mother Will’s children have known. Sara didn’t expect to find love and she’s torn; they aren’t teenagers anymore. She knows her prognosis is uncertain and Will and his children have already lost so much. She refuses to bring more grief or become a burden like her parents had been before they died. Sara has to make the decision that’s right for them all. That means finding the courage to stand up to Will’s mother and start living bravely.

AMBER LEAVES: At thirty-six Amber Bailey is spoilt and unfulfilled, her addiction to cosmetic procedures and painkillers keeping her sufficiently numbed – a reluctant socialite, an artificial wife, an embittered daughter, a prized possession. Come autumn, and without explanation to her husband or her domineering father, Amber leaves her life behind to return home to Calingarry Crossing where she’s reunited with her mother – now a sober, scone making, CWA member (and survivor of an abusive husband). When Amber learns the extent of her father’s ruthless ambition, she starts to question what’s real in her life and rediscovers the girl behind the perfect façade.

WYNTER’S WAY: Class of ’89 goody-two-shoes, Caitlin Wynter, was the perfect student and daughter. Now thirty-eight she’s the perfect doctor, even though medicine wasn’t her choice. The family expected it, and Caitlin always did what was expected. Taking up a locum position in her father’s old Calingarry practice for the winter seems like the perfect plan until she meets the local vet and the good doctor’s flat-lining love life develops a delightfully unexpected blip and Caitlin decides it’s time to live her life her way.

Going back home ends up being just the magic each woman needs when they discover a secret, buried for over thirty years, which binds all four friends forever and finally answers the question – why them?

 A House For All Seasons is a mystical story about going home,
about living, loving and embracing a second chance. 
(This is my elevator pitch – ie a short, snappy, sales pitch. You should be able to tell the basic premise of your story in 15 words.)

Well, I hope this helps. Please let me know if it does.

Good luck and keep dreaming the dream.

Jenn J

four books

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When the dust devil dances

Barcoola Sunset HPK 2015 smWhen I was young we called them a willy-willy. Growing up in the Sydney suburbs, they were these small whorls—a vortex of wind that ran along the gutters, picking up spirals of street litter. These days the Aussie Bureau of Meteorology is referring to the will-willy as a Dust Devil* and I kind of like that.

I am also liking the unexpected joys of this roving lifestyle. That includes spending lots of time outdoors. Where once I would be inside the house, at a desk or on the lounge with my laptop—for no reason but because that’s what I did—I am now sitting outside and it is opening my eyes to so much more. (When I talk about ‘sweat trickling down her spine’, I am generally feeling sweat trickling down the spine!)

Nature and the seasons always play a role in my stories. As writers we are taught to utilize all five senses so our characters touch, see, hear, smell and taste (except if you are Paige out of Season of Shadow and Light who lost her sense of smell and taste after a stroke. She was a challenge to write!)

While caravan parks have come with their share of experiences (not to mention characters) nothing has blown my mind more than two months parked in a paddock on in this amazing cattle property in Queensland’s Capricornia region.

Night and day, and every colourful moment in between, is inspiring my 2017 release. Just now one of those willy-willy winds I mentioned above whipped through—and I mean THROUGH—our van site. First as an escalating howl in distant trees. Then I watched in awe as the spiral of dust and leafy debris—at some three metres in height and just as wide—danced across the paddock towards us. I wish there’d been time to capture it with my camera because the way it gathered speed and spectacle it was truly mesmerizing display of mother nature doing her thing.

Okay, so I am easily amused. But when nature puts on a show I am at least outside to be a witness these days.

Loving this life.

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* What is a dust devil?

A dust devil is a localised dust filled vortex similar in shape to a tornado but of much less strength. They differ from dust storms in that they are a more localised and short-lived event. They form due to intense heating at the surface causing a rapid upward movement of parcel of air. This displacement of the surface air causes an inward movement of surrounding air, creating the common spiral shape of the dust devil. Dust devils are generally small in size compared with tornadoes, being about 3-100m in diameter and up to 300m high. Wind speeds inside the vortex reach a maximum of 100km/hr.

BOM: NSW Regional Office, May 2006