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Slush Piles & Christmas Trees

Some say that getting published is a lot about being what somebody wants at that time.

This is a Christmas story to writers who think you are forever lost in the slush pile of unwanted manuscripts.

I hate the idea of cutting down a perfectly good tree at Christmas (and hate plastic more) but as I was hosting the family Christmas this year, I needed a tree to decorate.

I spotted a small She-Oak (maybe a Swamp Oak) in a weed-infested road-side culvert not far from home. I have watched that little tree slowly poking its way skyward for two months. My plan was to steal out in the dark of night, dig it up – roots and all – and take it home. I figured if I planted it in a pot, it would grow and serve us for years.

To my horror, the people in the adjoining property decided to tidy up their culvert and they chopped the little tree down, abandoning it with all the other weeds for the waste collection. Devastated, I dragged it back home, put it in a bucket of sand and water and wondered if it would survive the five days until Christmas.
To our delight it did, and with the pressies under it that little tree was suddenly tall and strong and beautiful. Perfect!
So to any writers out there, whose precious novel is languishing in a slush pile, you really do just have to be what someone wants at the time and you too may find yourself picked up, dragged out of the rest of the rubbish and given a chance to shine.
Posted on 5 Comments

Slush Piles & Christmas Trees

Some say that getting published is a lot about being what somebody wants at that time.

This is a Christmas story to writers who think you are forever lost in the slush pile of unwanted manuscripts.

I hate the idea of cutting down a perfectly good tree at Christmas (and hate plastic more) but as I was hosting the family Christmas this year, I needed a tree to decorate.

I spotted a small She-Oak (maybe a Swamp Oak) in a weed-infested road-side culvert not far from home. I have watched that little tree slowly poking its way skyward for two months. My plan was to steal out in the dark of night, dig it up – roots and all – and take it home. I figured if I planted it in a pot, it would grow and serve us for years.

To my horror, the people in the adjoining property decided to tidy up their culvert and they chopped the little tree down, abandoning it with all the other weeds for the waste collection. Devastated, I dragged it back home, put it in a bucket of sand and water and wondered if it would survive the five days until Christmas.
To our delight it did, and with the pressies under it that little tree was suddenly tall and strong and beautiful. Perfect!
So to any writers out there, whose precious novel is languishing in a slush pile, you really do just have to be what someone wants at the time and you too may find yourself picked up, dragged out of the rest of the rubbish and given a chance to shine.
Posted on 5 Comments

What is it…?

…Fiction with Romantic Elements?

Firstly, Fiction with Romantic Elements is a recognised RWA sub-genre. Thanks RWA! It means that writers like me are welcomed and able to benefit from membership and all the great RWA resources.

But is it understood as a sub-genre?

In a recent competition, my Fiction with Romantic Elements ms was marked down for not being romantic enough! The judge’s comments…

What could have been improved?Romantic parts, more of romance in the story lines’

X Factor:It would be a great story but not in the romance line.’

Reader enjoyability:Story doesn’t sound like it has the real romance line, more like a biography fiction line.’

I write contemporary women’s fiction with romantic elements. But have I got it right? Seriously, I don’t know. I base it on the following:

• The romance is there – it’s just not necessarily the main plot line of the story.

• I don’t have ‘heroines’ – more everyday, flawed, warts-and-all women whose conflict is not necessarily with a hero/the love interest.

• The plot’s focus might be on social issues and themes about culture or society rather than a relationship.

• Rather than finding love/lust with another, my characters find personal fulfilment through self-acceptance/personal discovery and their HEA (happy ever after) comes about more from this internal growth/self-acceptance, rather than an external person/hero (although a relationship can be influential in helping them to reach/realise their dreams/goals).

I also question the requirement of a HEA in this sub-genre. If you study sub-genre ‘rules’, without a HEA it’s not a romance novel.

Yes, I like stories that leave you feeling optimistic. I won’t even watch a movie that has a sad ending: Eg The Notebook, Message in a Bottle, The Horse Whisperer- and don’t even get me started on Romeo and Juliet – not much of a HEA there! (If I do watch one of these, I turn the DVD off before the sad bit and make my own uplifting ending.)

But if the lack of a HEA means it isn’t a romance story, what is it?

I’d be interested in your thoughts.